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Salomon Past Concerts
Cheltenham International Music
Festival 2007
dvořákathon

12:00-20:30 Sunday 8th July 2007
all of Dvořák's symphonies
in 1 day - a World Record!
conducted by Martyn
Brabbins
Only 5 of Dvořák's 9 symphonies were
published in his lifetime, yet all are full of life, melodic invention and
brilliant orchestration. Brahms said of Dvořák: "He has more ideas than
the rest of us. We could glean main subjects from his left-overs."

His 7th is a pinnacle of symphonic music, but
Dvorak was proud that his 9th 'From the New World' was again different.
Here we had the ideal opportunity to
follow his developing Bohemian musical identity and consider how much he was influenced by
native and folk idioms in the USA.
The Salomon
Orchestra was joined by musicians from Gloucestershire and Avon
for symphonies 7-9.
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The symphonies are presented in chronological order. Numbering has
changed over the years. What is now No.6 was the first published,
and Dvorak thought
he destroyed the 1st which was rediscovered in 1923 and
first played in 1936. |
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Symphony No.1 in C minor 'Zlonické
zvony' ('The Bells of Zlonice') (1865) |
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Dvořák's first
symphony (written in Prague) recalls his life in Zlonice where he moved at the age
of 13 to train to follow his father into the butcher's guild,
but where he also received
music training and revelled in Bohemian folk music. |
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Symphony No.2 in B flat Major
(1865) |
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Dvořák's
primary model was Beethoven, but as a violist in the
Provisional
Theatre orchestra he learned Wagner under the composer (1863) and
Liszt under Smetana. However the 2nd symphony shows Dvorak's own
growing identity. |
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Symphony No.3 in E flat Major
(1871) |
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The third
symphony was a breakthrough as it won Dvořák a state prize, and probably more importantly for
his career interested Brahms and Hanslick who were judges. This
is the only symphony with 3 (rather than 4) movements. |
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Symphony No.4 in D minor
(1874) |
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The delightful scherzo from the
fourth symphony was conducted by Smetana as a separate piece in
1874. The first performance of the complete symphony was in
1892. |
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Symphony No.5 in F major
(1876) |
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Dvořák emphasised his
Eastern European
musical identity using the Dumka (a Ukranian dance contrasting elegy with faster sections,
popular in Bohemia) as the basis of the Andante con moto. |
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Symphony No.6 in D major
(1880) |
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The D major symphony met with immediate
success and was the first published. The scherzo is a
Czech 'Furiant'. Musicologist Otokar Šourek said ‘In this symphony dwell the gaiety,
humour and passion of the Czech people’. |
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Symphony No.7 in D minor
(1885) |
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Dvořák was much admired in
England and his seventh symphony was commissioned by the
Philharmonic Society. It was inspired by Brahm's third and is
considered by many to be the greatest of his symphonic works. |
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Symphony No.8 in G major
(1890) |
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Once called the
English symphony because it was published by Novello, the
wealth of characteristic melodic invention takes precedence over
symphonic development. |
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Symphony No.9 in E minor
'Z Nového světa' ('From the New World') (1893) |
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The final
completed symphony, premičred in New York 11 years before Dvořák's
death, was a spectacular and enduring success. Inspiration came
from his affinity with American folk idioms but also a yearning
for Bohemia. |

Roger Apps, a founder member of the Dvořák
Society of Great Britain, advises that this must be the first time all
of Dvořák's symphonies have been played as a single musical event in one
day, and is therefore a Dvořák World Record!
More
pictures in our photo gallery
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